Is there a new way to think about language (and music) development?
The capacity for language is distinctly human. It allows us to communicate, learn things, create culture, and think better. Because of its complexity, scientists have long struggled to understand the neurobiology of language.
In the classical view, there are two major language areas in the left half of our brain. Broca’s area (in the frontal lobe) is responsible for the production of language (speaking and writing), while Wernicke’s area (in the temporal lobe) supports the comprehension of language (listening and reading). A large fibre tract (the arcuate fasciculus) connects these two ‘perisylvian’ areas (around the Sylvian fissure, the split which divides the two lobes). Peter Hagoort, professor of Cognitive Neuroscience at Radboud University and director of the Max Planck Institute for Psycholinguistics says the classical view is largely wrong.
Hagoort argues for a multiple brain-network view of language, in which some operations might well be shared with other cognitive domains, such as music and arithmetic. Language being the multi-layered system that it is, no wonder that the language-ready brain is so enormously complex.
Music and language share an overlapping, multi-layered neural network!
This article empowers parents to advocate for music learning in schools by highlighting both its joyful impact and its proven cognitive benefits. It offers key research-backed talking points to help make the case for music as essential to every child’s education and every school’s success.
A ski instructor once said, “Musicians always learn to ski easily.” That idea intrigued me. Research shows music training sharpens spatial awareness, rhythm, problem-solving, and sensory integration, the very skills that might make skiing (and maybe other sports) come more naturally.
Singing in schools supports language learning, strengthens social bonds, and helps newcomers adapt, and with our science-based music education resources, music teaching materials, and neuromusical learning tools, teachers can unlock the cognitive benefits of music learning.
This blog shines a spotlight on the inspiring stories featured in our latest Fireworks magazine, celebrating the powerful impact of music teachers around the world.
As a music teacher, how often have we heard the phrase, “I have to skip rehearsal, I have a test”? In my school, as in many schools, we have our only rehearsal time in the morning prior to school starting, and I hear this comment regularly through the school year.
This blog explores the quiet power of Stealth Advocacy, subtle, repeated messages that shape how others see music education. From hallway posters to one-liners in newsletters, these small signals work in the background, shifting mindsets over time. If you’re too busy to launch a campaign, this is the kind of advocacy that speaks for you, even when you’re not in the room.
This blog invites music educators to slow down just enough to notice and name the everyday moments that show the power of music learning. From quick chats with parents to check-ins with students or school leaders, these small interactions are golden opportunities to advocate for music education.
In our drive to advocate for music education, it’s easy to focus on public performances, programs, or policies. But real advocacy often begins in quiet moments with students, their stories, and their shifting motivations. This blog explores how listening, noticing, and building trust can turn everyday teaching into powerful, student-centered advocacy.
What if music advocacy wasn’t an event, but a habit?
In the bustle of rehearsals, lessons, and emails, advocacy often gets pushed to the margins. But what if we made it part of our everyday teaching language? This post shares four simple ways to weave music advocacy into daily practice, from quick phrases and bold visuals to shared reflections with colleagues. Small actions, repeated often, can shift how music learning is seen and valued.
Making music together does more than build skills—it builds friendships.
Research shows ensemble experiences activate empathy and connection, helping students feel they belong. From choirs to community bands, music is where friendships grow.
Founder of Bigger Better Brains, Dr Anita Collins, receives hundreds of emails from students around the world asking questions about neuromusical research. So she decided to record a short video about the most asked questions she has received.
We often assume background music helps students concentrate—but new research suggests it’s not one-size-fits-all, especially for learners with ADHD. This study explores how different sounds—classical, preferred music, binaural beats, and medication—affect focus. The takeaway? Familiar, enjoyable music may support attention better than trendy brain hacks. What could this mean for your classroom or studio?
What if music could help neurodivergent students focus, listen, and communicate more easily? Music learning strengthens how the brain processes sound, supports attention and memory, and helps students filter speech in noisy settings. For learners with ADHD, autism, or sensory challenges, it offers a structured, motivating way to build essential skills.
A 2020 study from Brazil found that kids aged 8–12 who joined twice-weekly group music sessions outperformed their peers in reading, writing, and math. They also showed better attention and memory. Led by Projeto Guri, the program proves what many music educators feel: consistent, inclusive music-making fuels broader learning.
Some students don’t light up when the music soars—and it’s not about effort or attitude. Neuroscience is uncovering how individual brain wiring can shape emotional responses to music, including a rare condition called specific musical anhedonia. As educators, this challenges us to broaden our lens: what if joy in music doesn’t look the same for everyone?